Thursday, 1 April 2010

Our final script

SCENE 1

ELISA AND LISA ARE ON THE PHONE, ELISA IS ABOUT TO TELL LISA THAT SHE HAS FOUND OUT SHE IS PREGNANT, TELEVISION PLAYING IN THE BACKGROUND, DISTORTED AS IT’S A TELEPHONE CALL.

LISA: Hello.

EL: Hello.

LISA: Elisa is that you?

EL: Yeah.

LISA: What’s wrong?

EL: Oh Lisa I’ve really fucked up.

LISA: What do you mean? What have you done?

El: I’ve been sick the past couple of mornings, and im late ...

LISA: Oh Elisa.

EL: and I’m pregnant.

LISA: H-have you done a test?

EL: Yeah, I took one last night.

LISA: Oh god.

EL: I don’t know what to do.

LISA: Omg does Ethan know?

EL: No, not yet. I couldn’t tell him, I can’t tell him Lisa.

LISA: Could you really get rid of it though, what could you do?

EL: I don’t know, I just don’t think I’m ready to have a baby, I’m just so young! I really want to go to uni, its always been my dream, I feel so selfish but I think that if I told ethan that he’d want to keep it.

LISA: El its up to you, at the end of the day uni will be out of the question for both of you if you keep it … you need to tell him

EL: It’s just so confusing, I just don’t wanna think about it. I just had to tell you

LISA: No, I know. It’s okay. Do you wanna come round mine for a bit?

EL: Yeah, I can’t be too late home though. I really need to just stay home and think about things.

LISA: Okay then, alright. Text me when your on your way round yeah?

EL: Ok thank you

LISA: Your welcome babe, I’ll see you in a bit yeah?

EL: Ok, bye.

LISA: Bye.

FADE OUT

SCENE 2

CHATTER IN BACKGROUND, QUIET, DOOR OPENS AS ELISA AND ETHAN WALK IN. CHATTER CONSTANT THROUGHOUT THE SCENE.

FOOTSTEPS

ETHAN: Ready El? This moments gonna change our lives forever, you do realise that don’t you?

ELISA: Ready … as I’ll ever be. *sigh* I just need to know that we’ll be together no matter what.

ETHAN: Obviously we will be babe, no matter what happens… (PAUSE) You alright babe? This uni thing has really gotten you down hasn’t it? You know you’ll always have me so you don’t need to worry!

ELISA: I’m glad you said that but to be honest I’m not okay, now’s not the right time to talk about it. Can we just go get our results over and done with first? Just remember that I love you.

ETHAN: Sure, as long as whatever’s going on can wait. Don’t let it get to you El.

ELISA: Easy for you to say. Come on, let’s go.

TANNOY VOICE: Everybody for A levels please follow the arrows to H block.

FADE OUT

SCENE 3

FOOTSTEPS, CHATTER HIGH LEVEL AS THERES LOTS OF PEOPLE FOR AT LEAST A FEW SECONDS, THEN FADE INTO SILENCE TO INDICATE SCENE CHANGE

ETHAN: Oh look there’s Lisa, Ben and that lot.

ELISA: I’m getting pretty scared now.

LISA: Hiya! Oh god I don’t think I’ll be able to open the envelope Elisa.

BEN: Man up girls, theres nothing you can really do about it now is there?

ELISA: Shut up Ben! (LAUGHS) we can still be scared.

LISA: Yeah Ben, piss off.

GEORGE: Come on, might as well get it over and done with.

ETHAN: Good luck everyone! Good luck babe (KISS)

LISA: Can’t believe we’re actually here, this is the make or break for the rest of our lives!

ELISA: God, I know. Let’s not think about it. Ben what grades do you need to get for Leeds?

BEN: I need a B and two C’s hopefully I’ll get them easily.

ELISA: Yeah I think you will! Good luck!

SOUNDS OF CRYING, LAUGHTER. CHEERING. HAPPINESS. AND BUSY CROWD NOISE.

BEN: So where shall we hit first tonight then?

ETHAN: Lets go to the penny, it’s a pound a pint today.

GEORGE: Yeah, good idea. Lets go now and have a quick one.

ETHAN: Girls, what do you think?

ELISA: Yep, we’ll follow in the car, see you guys in a minute.

ETHAN: El I’ll come with you.

FADE OUT

SCENE 4

BANGING OF CAR DOORS, ENGINES STARTING, LAUGHING, CHATTING THEN SILENCE

ETHAN: El don’t worry about it, just enjoy tonight and we’ll have a proper talk tomorrow. If we’re meant to be together then it’ll all work out and we’ll be happy. You know that don’t you?

ELISA: Yeah, yeah. I do, I just keep thinking that, you’ll always be here for me wont you?

ETHAN: Of course, you should know that. I love you.

ELISA: I love you too.

FADE OUT


SCENE 5

BAR DOOR SWINGS OPEN. BACKGROUND BAR NOISE.

BEN: (DRUNKENLY) Wahey, finally the happy couple have arrived.

ETHAN: (LAUGHS) How much has he had?

GEORGE: A little too much.

ETHAN: Ah well never mind, he’s happy enough.

SHOUTS TO BARTENDER

Another round?

George, come with me mate I want a chat.

GEORGE: What’s up? Its El isn’t it?

ETHAN: Yeah, how’d you know?

GEORGE: Just a feeling mate. Come on, what’s happened?

ETHAN: El’s just been really weird since the results earlier. She keeps saying she wants to go to uni with me, but she’s had her heart set on Edinburg for years, and to be honest I think there’s something else too.

GEORGE: Maybe you should listen to her?

ETHAN: But I know that she wants to go to Edinburgh, I don’t want her to throw her life away just for me.

GEORGE: Well just have a chat with her and see what happens yeah?

FADE OUT


SCENE 6

EL IS ABOUT TO TELL ETHAN THAT SHE IS PREGNANT, CELL PHONE RINGING AT THE BEGINNING, AND HANG UP AT THE END, TELEVISION PLAYING IN THE BACKGROUND

EL: Ethan, there’s something I’ve got to tell you… I’m pregnant

ETHAN: What the fuck? How did this happen?

EL: I don’t know babe I’m so confused

ETHAN: Look it’s okay, we’ll work through it – we’ll look into maybe getting rid of it?

EL: What? Why? I couldn’t do that! It’s a baby! How could you say something like that, I couldn’t do that!

ETHAN: I don’t want you throwing your life away just for me! You’ve got a life plan and this just doesn’t fit into it.

EL: What do you mean throw my life away!

ETHAN: You’ve had your life set on Edinburgh for as long as I’ve known you. I don’t want to be the reason for holding you back, I don’t think having a baby is for the best.

El: But I love you, and you love me. We could do it together.

ETHAN: I do love you but I just want you to really think about what you truly want before making a final decision.

EL: Ok can we not argue anymore. I’ll think about it. Lets just enjoy the rest of the night yeah?

ETHAN: Ok.

FADE OUT

SCENE 7

BEN AND ETHAN ARE APPROACHING A BAR TALKING ABOUT ELISA’S PREGNANCY. SOUND EFFECTS: PEOPLE TALKING, CUPS BANGING AND STEADY BAR-LIKE MUSIC JUST IN THE BACKGROUND. DOORS OPEN TO PUB AND FOOTSTEPS. STALL SCRAPING

BEN: (OFF) Two beers please mate.

ETHAN: You alright then mate? Haven’t seen you in a while.

BEN: I’m fine thanks, but more to the point how’re you holding up after El’s news?

ETHAN: *SIGH* Well, I’m just sort of taking it in my stride, there’s not much I can do about it now is there? I’m just feeling a lot for El at the moment, she not only has to decide what uni to go to, but now she’s got these baby worries, it couldn’t have come at a worse time if I’m honest. I don’t even know how it happened in the first place, its not like we weren’t careful.

GLASS SMASHES IN THE BACKGROUND

BEN: Well these things just happen don’t they mate, I mean look at Phil, it happened to him too. You just have to ask yourself do you really wanna be a dad right now, just before you go off to uni. I mean you and El might not even be in a decent distance to each other if she decides to go to Edinburgh will you? Maybe it would be a better idea to just nip it in the bud.

ETHAN: Ben, its not something you can just throw away mate, it’ll stay with you forever. I just don’t know anything at the moment, El’s not really opening up to me, which is understandable but still, I miss her. At the end of the day, whatever El decides, she has to know that I’ll always be there for her and if she decides she wants to keep the baby, well then we’ll deal with it.

BEN: Well at least you’re supporting her, that’s good enough. You just have to support her along the way I guess. I just can’t believe there’s a possibility that you’re gonna be a dad, its crazy.

ETHAN: Yeah I know, I don’t know how her parents will react either, let alone mine. I love El so much I just don’t want this to ruin us. I still want her to go to her dream uni, she deserves it. (PAUSE) I better go mate, got a lot of stuff to do and things to think about. Thanks for the chat, really needed it.

BEN: No probs buddy, let me know how it all turns out yeah? It’ll all turn out for the best I’m sure.

ETHAN: Yeah you’re not the only one there. Cya in a bit mate.


STOOL SCRAPES ON THE FLOOR, MUSIC FADES OUT TO SILENCE



END

Our final edited radio drama

Enjoy!


Adding sound effects

To show the full extent of using sound effects, i have included 8 clips, showing before and after the editing and sound effects have been added. Hopefully this will give some understanding into the work put in our radio drama, and what we have edited.

Before edit clip 1




After edit clip 1




Before edit clip 2




After edit clip 2




Before edit clip 3




After edit clip 3




Before edit clip 4




After edit clip 4


Wednesday, 31 March 2010

How did you attract/address your audience?

As we are around the age of the characters in our radio drama, addressing our audience was quite a simple thing to do as we all know what we as the targeted audience find attractive, and also because we are a mixed sex group we could inflict opinions through a male and female point of view. This included; writing the script, acting, and the storylines.

As our drama was through a radio format, we had to rely solely on the language and lexis choice. We had to put ourselves in the characters minds and use our imagination on how the characters would talk, we come to the conclusion that as they were teenagers, using a more recieved pronounciation would not be correct, so we decided to use limited use of slang, this would therefore result in a better communication with our target audience.

Sound effects also caused a strong choice in our radio drama, using too many sound effects would have made our drama too hard to relate to, so although some use of sound effects was necessary, we did not use too many, as this would have made our drama too unrealistic, afterall who has background music playing whilst they're having a conversation with someone?

Our main point to our drama was to represent our collective identity of students in a positive way, as many television programmes have found that representing students in a negative way would collect a larger audience, programmes like skins for example. We felt that the only reason that this was successful is due to how unrealistic their representations are, there is always so much drama going on. Therefore we concluded that we would have to exaggerate our storylines to an extent, to keep our audience interested and not bored.

As our storyline was based on university we felt that this also helped to attract our target audience, as many students will be faced with the decision of which university to go to, and wether they actually wish to go or not. The strong relationship between Elisa and Ethan also attracted our audience well I though as many students could possibly have this connection with someone and be faced with the same issues raised in our radio drama.

Sunday, 28 March 2010

Production diary log eighteen: Thursday 18th March

This week we finished editing our radio drama, which we then put onto cd again. I have also finished my double page spread radio listings, I feel that I have completed it in quite a professional way, along with learning new skills on Indesign. I have attached the final version of my radio listings.



Click image to enlarge, then click again to enlarge even more. Click back to return to my blog.

Production diary log seventeen: Thursday 11th March

This week, we have finished revamping our script, and re-recorded our script aswell to a better standard. We will finish the editing next week. Also this week I have started work on my double page spread of radio listings, i will be using "The Radio Times" radio listings in order to create my own, therefore this will result in a much more professional listings. I will be using indesign to do this.

Production diary log sixteen: Thursday 4th March

This week we have gotten our audience feedback, many said that they liked our radio drama, however the white noise sound in the background was quite painful to listen to, and also our one storyline of Elisa just making the choice of which university to go to was not a strong enough storyline, after this we have decided to throw in a teenage pregnancy into the mix, and we have also decided to re record our radio drama, aswell as rewrite sections of our script to include this teenage pregnancy, this will be done over the next week to be completed.